Biodiversity at AMNH: Become a Bee Watcher This Spring

03.11.10


HONEY BEES Compared to bumble bees, honey bees are lanky and lean. They can be golden or dark brown. One distinguishing characteristic: hairy eyes. © John Ascher

The Museum’s Center for Biodiversity and Conservation (CBC), in collaboration with the New York City Department of Parks & Recreation, is looking for volunteer bee watchers in all five boroughs for its Great Pollinator Project this spring and summer. Now in its fourth year, the program is tracking the pollination patterns of five categories of New York City’s native bees— bumble bees, honey bees, green metallic bees, carpenter bees, and “others” for the rest —with a view to conserving and improving bee habitat and plant pollination.

“By having all those different eyes out there, we are able to collect a lot more data than we ever could ourselves,” says Liz Johnson, CBC manager of the Metropolitan Biodiversity Program, who works on the Great Pollinator Project with Ed Toth, director of the Department of Parks & Recreation’s Greenbelt Native Plant Center (GNPC), and Kevin Matteson, an urban ecologist at Fordham University.

Would-be New York City bee watchers are asked to complete a brief orientation, transplant an annual sunflower and six native plants to a sunny location, and watch for bees for half an hour at least once every two weeks, then submit their observations online. If a volunteer doesn’t have a suitable outdoor spot for the plants, they are encouraged to visit public gardens or parks and record observations there. Researchers are interested in how frequently bees visit specific flowers to determine what plants and habitats best support the healthy bee populations so vital to pollination—a process without which wild and garden plants might produce small or less fertile seeds or no seeds at all, with serious implications for the ecosystem.

“Ninety percent of plants require an animal pollinator, and bees are the primary pollinator in the Northeast,” says Johnson. “Different bee species have unique adaptations specifically for carrying pollen. Butterflies, wasps, flies, and beetles also pollinate, but they are generally considered less efficient at moving pollen around.”

Aside from enlisting citizen scientists to track and map bee patterns across the city, another goal of the project is to increase public awareness of bees.

“When you talk of bees, people think of the honey bee and maybe the bumble bee,” says Johnson. “But over the years, Museum scientists have documented more than 225 species of bees in the five boroughs.”

To find out more about becoming a bee watcher, visit the Great Pollinator Project or email beewatchers@gmail.com.

A version of this story appears in the March/April issue of Rotunda.

CARPENTER BEES These huge bees have no stripes, like this Xylocopa virginica spotted in Queens’ Jamaica Bay Wildlife Refuge. © John Ascher

GREEN METALLIC BEES This category includes all green bees, such as those with green heads and black abdomens or green heads and striped abdomens, like this female Agapostemon virescens. © John Ascher

GREEN METALLIC BEES This category includes all green bees, such as those with green heads and black abdomens or green heads and striped abdomens, like this female Agapostemon virescens. © John Ascher

AND MORE Other bees buzzing around New York City include leaf-cutter bees, wool carder bees, and giant Asian resin bees like the one above, snapped at the Brooklyn Botanic Gardens. © John Ascher

BUBMLE BEES Large and fuzzy, Bombus species can be distinguished by their banding patterns. This male Bombus perplexus was photographed last summer in Brooklyn’s Prospect Park. © John Ascher


The U.N. proclaimed 2010 as the International Year of Biodiversity. The American Museum of Natural History has joined efforts to refocus the world on biodiversity, the complex tapestry of interconnections at every level that supports life on Earth.

Return of the Reptiles, Lizards & Snakes Alive

03.11.10


The real monsters, dragons, and basilisks are back! More than 60 live lizards and snakes from five continents are now displayed in exquisitely prepared habitats. In addition to the live animals, the exhibit uses interactive stations, significant fossils, and an award-winning video to acquaint visitors with the world of the Squamata, the group that includes lizards and snakes.

In Lizards & Snakes: Alive! visitors will see representatives of 26 species, including crowd favorites such as the Gila Monster, Eastern Water Dragon, Green Basilisk, Veiled Chameleon, Blue-tongued Skink, Rhinoceros Iguana, Eastern Green Mamba, and a fourteen-foot Burmese Python. The Water Monitor habitat is equipped with a web camera, enabling virtual visitors from around the globe to observe the daily behavior of one of the largest living species of lizard on earth.

Join Darrel Frost, curator of Lizards & Snakes: Alive!, as he walks through the exhibit and describes some of the fascinating traits these creatures possess.

The exhibit is now open and runs through September 6 at the American Museum of Natural History.

Neil deGrasse Tyson on the 10th Annual Asimov Debate

03.10.10


The 10th annual Isaac Asimov Memorial Debate— Moon, Mars and Beyond: Where next for the manned space program? — will take place at the American Museum of Natural History on March 15, 2010 and is presented, in part, in commemoration of the 10th anniversary of the opening of the Frederick Phineas and Sandra Priest Rose Center for Earth and Space and the 75th anniversary of the opening of the original Hayden Planetarium.

Where to go next is one of the hottest topics for NASA’s manned program. Should we proceed straight to Mars, should we return to the Moon, or should multiple destinations be the goal? Central to the debate are thorny issues that relate to science, launch hardware, international competition, national security, shrinking budgets, and political will. The Obama administration’s recent decision to indefinitely delay the next voyage to the Moon while simultaneously planning a new launch vehicle makes this Asimov Debate particularly topical and newsworthy.

Moderated by Neil deGrasse Tyson, astrophysicist and Frederick P. Rose Director of the Hayden Planetarium, this year’s Asimov Memorial Debate will include panelists Kenneth Ford (Institute for Human & Machine Cognition), Lester Lyles (United States Air Force), Paul Spudis (Lunar and Planetary Institute), Steven Squyres (Cornell University) and Robert Zubrin (Mars Society).

RSVP to the 10th Annual Isaac Asimov Memorial Debate on Facebook.

President Futter Goes to Washington

03.09.10


Ellen V. Futter, President of the American Museum of Natural History, represented the “informal science education” sector during an important congressional hearing last week in Washington, DC on science education in our nation’s schools.

Speaking before the House Committee on Science and Technology on Thursday, March 4, she testified that it’s essential that the federal government continue to support and fund museums and other science-related cultural institutions as “powerful catalysts” and key players in reforming K-12 science, technology, engineering, and math (or STEM) education.

Futter specifically mentioned several Museum programs, including its successful leadership role in the Urban Advantage Middle School Science Initiative in New York City, as national models for public-private partnerships that boost science literacy. To download the full text of the press release, click here and you can also read Ellen Futter’s full written testimony here.

Poet Laureate Billy Collins Discusses Bright Wings

03.08.10


Poet Laureate Billy Collins will be a featured speaker at Art/Sci Collision: Bright Wings: An Illustrated Anthology of Poems About Birds at the Museum on March 10.  He recently answered some questions about his contribution to the anthology.  Make sure to read another Q&A with his collaborator and the anthology’s illustrator, David Allen Sibley.

How did the idea for Bright Wings: An Illustrated Anthology of Poems About Birds come about?

I was approached by Columbia University Press and asked if I would be interested in editing an anthology of bird poems. It struck me as a worthwhile enterprise, but I knew that there were a number of such collections already in print. However, when I was told that the book would be illustrated by David Sibley, I jumped at the chance. Sibley’s Guide to Birds has long been one of my favorite reference books. I knew that with Sibley’s gorgeous pictures, the anthology would be unique.

There are more than 100 poems in this anthology. Do you have a favorite, or one that resonates with you more than most?

Favoritism is not permitted among editors. I may have secret favorites, but more in my focus is the anthology as a whole which features a balance of contemporary free verse (for lack or a better term) and 19th century formal poems. The second most striking feature of the book (second to Sibley’s paintings) is that each poem is species-specific.  I was not free to include any poems about “birds” in general; searching for poems about individual species—the dove, the storm-petrel, the crow—made my work harder but more rewarding in the end.

As a group, birds seem to inspire more poets than do mammals, say. Is there something particularly poetic about birds? Flight?

I tried to simplify the appeal of birds to poets in the book’s introduction by saying that they do two things that poets long to do: sing and fly. And sometimes they perform these natural miracles simultaneously!  Another reason might be the amazing variety of bird species, ranging from the hummingbird to the sand hill crane. Birds offer an immense spectrum of types, certainly compared to the wolf, say, or the rhino.

Some species, such as swallows and owls, seem to have been a popular subject for poets for millennia. Why do you think that is?

Swallows perhaps because of their aerial acrobatics, which are especially impressive to behold when you stop to realize that as they are gliding this way and that, they are eating 100’s of mosquitoes.  The owl?  Most mysterious of birds.  No bird returns the human gaze with such intensity.  But the listener must be careful not to confuse its hoot with the moaning of the mourning dove.

You decided to leave some classics, including Edgar Allan Poe’s “Raven,” on the cutting-room floor. Why?

Standard bird poems such as “The Raven” and “Ode to a Nightingale” have been anthologized to death. For the sake of surprise, I wanted to avoid such easy choices and leave room for some newer, contemporary voices

You write about the “usefulness” of poetry. What is poetry’s purpose?

To distinguish the poet from other people.